Listen | Ordering/Contact | Bio/Reviews | Tab | Schedule | Links |
|
![]() photo by Kari Gogol |
![]() photo by Patrick Satterfield |
Ivan currently plays select festivals and concerts with the Vancouver, BC-based alt. bluegrass band The Breakmen and with the old time/world music quartet Mighty Squirrel out of Washington State. Ivan has also performed and/or recorded with many top musicians including Billy Cardine and Mary Lucey of The Biscuit Burners, Chris Stuart & Backcountry, Chad Manning, Hit & Run, Jake Schepps, Julie Elkins & David Thompson, Ben Winship, and Mike Grigoni. |
Ivan has taught dobro at the Sore Fingers Week bluegrass workshop in the UK (2004), the British Columbia Bluegrass Workshop (BCBW) in Canada (2003, '04, '05, and '06), and the California Bluegrass Association music camp in California (2004, 2005), and he also instructed a clawhammer banjo class at the BCBW in 2006. This year's workshops include The Puget Sound Guitar Workshop and the BCBW, for which Ivan is also the new program director.
Ivan’s original music has appeared in several film and television scores including Jerry Bruckheimer/Warner Brothers Films' Kangaroo Jack (2003), HBO's Making Deadwood: The Show Behind the Show (2004), Comedy Central's The Daily Show, The Oprah Winfrey Show, and High Plains Films' acclaimed documentary Libby, Montana (2004). |
![]() |
TV/Film Score Highlights and Discography
Television
Performance/Workshop Highlights:
CLAWHAMMER AND DOBRO review - Dec. '06 Banjo Newsletter
While I'm assuming that Ivan is mostly a dobro player, his clawhammer playing and the tunes he writes for clawhammer will inspire and delight those who are interested in where clawhammer will be going next. If that sounds like you, get this cd.
CLAWHAMMER AND DOBRO review, California Bluegrass Association Newsletter
CLAWHAMMER AND DOBRO December '06 Review by Bluegrass Unlimited:
CLAWHAMMER AND DOBRO Review from the Montana Rockies Bluegrass Association Newsletter: If you’ve ever seen Ivan play, you know what an innovative musician he is, but hearing this steady-moving and unusual album will convince you that Rosenberg was, indeed, beamed to this planet by someone or something that had a higher place in mind for the resonator guitar and the banjo... All 10 tracks are complete bliss to listen to, it won’t leave your CD player alone! --Caroline Keys ASHES AND COALS REVIEW: THE MISSOULIAN 2/9/06 Only a performer of the rarest talent can get away with releasing an album featuring just himself playing a single instrument. Former Missoulian Ivan Rosenberg’s mastery of the resophonic guitar, or Dobro, and his wellspring of melodies allow him to do more than just get away with it—he moves his instrument’s long tradition forward on Ashes and Coals, his third release.... Rosenberg takes listeners on a stripped-down and affecting instrumental journey. The result is rip-your-heart-out beautiful.
ASHES AND COALS REVIEW: California Bluegrass Association: Ivan Rosenberg was a mainstay in Chris Stuart’s Backcountry band and his dobro was a plaintive voice that wove in and out of the vocals and a powerhouse on the band’s driving instrumentals. Ivan’s solo album features his guitar and dobro playing and the mood is often quiet and has sweet, flowing melody lines that evoke mountain streams and long drives in the summer night. “ashes and coals” has flickering spurts of melody that echo embers, and “miles back” has sliding dobro trills that are like the bumps on a long highway. “low voices” is a tune that belongs in one of the classic French movies and might make an interesting MTV music video! Ivan coaxes great tone from his Clinesmith, and he has mastered the lyrical, mood-sustaining power of the resonator guitar. 4/10/03: BACK TO THE PASTURE review by Bill Yates – Roots 66 Ivan Rosenberg has followed up his very good album "The Lost Coast" with this effort, proving he is not a one-hit wonder. "Back to the Pasture" is another excellent collection of original Rosenberg compositions (eight of them) and two well-arranged covers... His playing is impeccable. His compositions are original yet are comforatbly at home in the bluegrass genre... Ivan Rosenberg is someone to keep an eye on and an ear tuned to in this field. He is both an excellent instrumentalist and a very good composer. He has the good sense to surround himself with other good musicians whom he respects and gives them their turn in the spotlight. This is a fine recording and is a valuable addition to your bluegrass library, especially for resonator guitar fans. This is just plain good music. Recommended.
BACK TO THE PASTURE review by Les McIntyre, Bluegrass Unlimited,
Nov. 2002: BACK TO THE PASTURE liner notes excerpt by Dave Higgs: Along with the fiddle, the resonator guitar, or Dobro®, is perhaps the most expressive of all the bluegrass instruments... In the right hands, the resonator guitar is eminently capable of duplicating a myriad of emotions - from a jubilant, euphoric shout all the way to a primeval, gut-wrenching moan. In the right hands, it becomes an instrument of impassioned feeling, dark mystery and great beauty. Ivan Rosenberg has those "right hands." "Back to the Pasture" spotlights the resonator guitar's storied past and paints a vivid portrait of its future. And in the multi-talented hands of Ivan Rosenberg, that future looks bright indeed. Dave Higgs -- Nashville Public Radio |